#XSCOPE CHANGE GUIDE COLOR HOW TO#

The darkest part rests around 5 on the scope, which means no part of it is fully black either. The brightest part of this shot is the clouds, so this means the clouds will not be fully white. The maximum level–the brightest area–peaks at around 80 on the scope. Here’s an under-exposed shot with its waveform. With Ultra-HD standards comes High Dynamic Range delivery, where the whites can go all the way to 10,000. This is true only for SDR (Standard Dynamic Range) video, though. Levels below 0 at the bottom of the scope will be clipped, and levels above 100 near the top of the scope will also be clipped, so you want your levels to be within the 0-100 range. If you’re editing HD, Black is 0 and white is 100. As the name suggests, it shows the picture’s brightness represented as a waveform. Using the waveform scope, you can see how light or dark the image is across your image. We’ll cover the most used scopes- Waveform scopes (RGB, Luma, YC and RGB Parade), the Vector Scopes, and the Histogram -and look at practical uses of all of them. If you get high blood pressure and a rash from opening the video scopes panel in your editing software, this article will cure your scope-o-fobia.

#XSCOPE CHANGE GUIDE COLOR HOW TO#

They can be quite intimidating, though, if you’ve never learned how to interpret them. Your monitor may not be properly calibrated, so that can’t be trusted, and our eyes adapt to the image, so we can’t trust them either. You need to know if you’re crushing the blacks in that night shot, clipping the whites in those clouds, and what exact hue and saturation that logo is. When you’re color correcting and grading, it’s important to accurately assess your video signal.

Xscope change guide color